Wislawa szymborska gedichten niets cadeau
I believe in hoe maak je een knapzak the ruined career.
Czemu ty sie, zla godzino, z niepotrzebnym mieszasz lekiem?
Rub up against the furniture?
New Yorker, which has published 16 of the best.
Dzi, kiedy jestemy razem, odwróciam twarz ku cianie.Ms Szymborska was 16 when Hitler and Stalin carved up Poland between them.Z tej przyczyny zrodzilismy sie bez wprawy i pomrzemy bez rutyny.Imagine trying to make a film of a poet's hopelessly unphotogenic life, she said: Someone sits at a table or lies on a sofa while staring motionless at a wall or ceiling.I believe in the secret taken to the grave.And at night-time no lamps are lit.Her compatriot Marie Sklodowska-Curie would have wound up teaching chemistry at some private high school for young ladies from good families.She eschewed political causes; her fight was against the bad poet who is prone to using too many words.Scepticism was her watchword.Jestes - a wiec musisz minac, Miniesz - a wiec to jest piekne.Nothing seems different here but nothing is the same.
Nic dwa razy, nic dwa razy sie nie zdarza i nie zdarzy.
It expands our lives to include the spaces within us as well verjaardagsbon maken as those outer expanses in which our tiny Earth hangs suspended.
Nic dwa razy, nic dwa razy si nie zdarza i nie zdarzy.
This sort of wantonness runs wild like a wind-borne weed on a plot laid out for daisies.
It was years before she could publish another poem.Czemu ty si, za godzino, z niepotrzebnym mieszasz lkiem?Since what can a cat do in an mac korting koningsdag empty apartment?Her ironic and individualistic spirit was ill fitted to the grey conformity of people's Poland: the Nobel citation said she wrote with the ease of Mozart and the fury of Beethoven.Miniesz - a wic to jest pikne.Early poems praised Lenin and young communists building a steel works.Her fans' delight in her Nobel prize was mixed with disappointment that it had rendered her mute.My faith is strong, blind, and without foundation.Chocbysmy uczniami byli najtepszymi w szkole swiata, nie bedziemy repetowac zadnej zimy ani lata.
So the poets keep on trying, and sooner or later the consecutive results of their self-dissatisfaction are clipped together with a giant paper clip by literary historians and called their oeuvre'.
Success left no dent in her reclusive modesty, and she would never claim that her external life was interesting.
Playful, subtle and haunting, her poetry could never be in harmony with the socialist realist style dictated by the country's cultural commissars.
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